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INVISIBLE CITÉ /
CITY OF INVISIBLE


GRANDE BIBLIOTHÈQUE
MONTREAL - QUÉBEC - CANADA
SEPTEMBER 22 TO 24 , 2005
19:30 - 23:00

source : SarahButler
     
CHAMP LIBRE AT THE GRANDE BIBLIOTHÈQUE

NOCTURNAL PROJECTIONS IN THE GARDEN OF THE GRAND BIBLIOTHEQUE
22 AVANT-GARDE VIDEO WORKS CONCERNING ART AND ARCHITECTURE
THE EVENT IS FREE AND OPEN TO THE PUBLIC
     

CHAMP LIBRE – a nomadic organization dedicated to the diffusion of multimedia art and architecture presents INVISIBLE CITY, an artistic event involving architectural intervention and new video which will take place in the garden of the Grand Bibliothèque National the 22nd, 23rd and 24th of September 2005 from 7:30 to 10 pm.

This nocturnal spectacle will contain the multimedia projection of 15 art videos concerning architecture and the city. These videographic works will be projected directly onto a glass façade situated in the north corner of the library’s garden. A luminous installation will be executed in the garden as well; the scenography of this event will be realized by the Montreal architecture atelier IN SITU, Stephane Pratte and Annie Lebel, architects.

Among the works to be presented let us mention those of the famous American architect GORDON MATTA CLARK and Quebecois screen-writer FRANCOIS GIRARD whose work JARDIN DES OMBRES is a sensitive and poetic work about the Quebecois architect ERNEST CORMIER. Other artists to be presented include: NELSON HENRICKS, SUZAN VACHON, PAUL LANDON, MITCHEL AKYAMA and the German artist THOMAS KONNER, the honourable recipient of the prestigious European ARTS ELECTRONICA award of Linz (Austrian), 2004.

The INVISIBLE CITY nocturnal event is free and open to the public.

CITY OF THE INVISIBLE ist correlates with Champ Libre’s next bi-annual Manifestation of electronic art and architecture which is to occur
in September of 2006. This event presents itself as a research laboratory concerning the ideas and projections of INVISIBLE CITY – the 7th INTERNATIONAL MANIFESTATION OF ELECTRONIC ART AND VIDEO- MONTRÉAL
(MIVAEM), SEPTEMBER 20th TO OCTOBER 1st 2006 – AT THE GRANDE BIBLIOTHÈQUE. The symposium of September 2006 will present Champ Libre`s first significant presence on the site of its unique upcoming biennale on
architecture and new media.

Founded in 1992, Champ Libre has produced more than 30 different artistic in-situ events, the most major event of them
all being the INTERNATIONAL BIENNALE OF ELECTRONIC ART AND ARCHITECTURE, MONTREAL (MIAVEM).


SYNOPSIS OF THE PRESENTED WORKS



1.
Mitchell Akiyama
En Mauvaise Herbe
10 mins
2003
Québec

Toronto born, Montreal-based composer and visual artist Mitchell Akiyama has performed, recorded and exhibited widely in North America, Europe, Japan and Australia. His work explores notions of classification and its consequences. Trained in classical music and jazz, Akiyama has since become involved with video art and its integration with sound composition, fusing the organic and the digital.

En mauvaise herbe, Akiyama’s most recent work, is a meditation on the processes of selection and ordering that go on in urban environments; the judgments that seek to eliminate certain forms of life while privileging and supporting others.

Contact : mitchell@intr-version.com

 

2.
Pierre Bongiovanni
Œuvre collective

06 min
2004
Québec, Australia, France

Artiste de l'art numérique, commissaire, fondateur et directeur jusqu'en juillet 2004 du CICV PIERRE SCHEFFER (l'un des centres d'art numérique les plus importants en Europe qui a récemment cessé ses activités). PIERRE BONGIOVANNI demeure une figure très influente de la culture numérique française et internationale. Il a récemment programmé trois installations du chorégraphe américain WILLIAM FORSYTHE lors de l'édition des NUITS BLANCHES tenue à Paris à l'été 2003 qui fut un succès public de grande envergure. En plus de présenter une oeuvre vidéographique lors de la dernière biennale CHAMP LBRE - DÉSERT – 6E MIVAEM - intitulée NEXT TO NOTHING, PIERRE BONGIOVANNI a présenté une conférence sur l'art numérique aujourd'hui intitulée LES SURVIVANTS.

Atelier de création ciné-vidéo : "la splendeur qui nous appartient".
Lors de son séjour à Montréal à l’automne 2004 ; Pierre Bongiovanni était président d’honneur de la biennale de Champ Libre – DÉSERT – 6E MIVAEM. Durant son séjour il a réuni 10 artistes, équipées de caméras numériques ou appareils photos numériques, fortement motivées pour passer une semaine avec lui dans les rues et les quartiers de Montréal.
Chaque demi-journée un membre du groupe devenait le directeur artistique et tous les autres travaillant sous sa direction et sur le même thème : "la splendeur".
Cet atelier de création d’art numérique avait pour but de renouer avec le sens politique et poétique de l’urbanité et de prendre conscience du regard de l’autre sur soi. Les artistes participants venaient d’Australie, de France et du Québec. L’œuvre collective a été présentée lors de la soirée de clôture de DÉSERT : 6E MANIFESTATION INTERNATIONALE VIDÉO ET ART ÉLECTRONIQUE , MONTRÉAL (MIVAEM), à l’incinérateur des Carrières en présence du public et des artistes.

Artistes participants :
Christine Wilmes, Patrick Mascaux, Naomi Oliver, Danilo Villaflor, Pierre-Jean Grattenois, Sophie Solnychkine, Thomas Fontin, Diana, Pascale Malaterre.

Contact :
pierre@bongiovanni.info
Pierre@encore-et-encore.biz

 

4.
Christian Boustani
Cités Antérieure : Bruges
1995
11mins 30 secs
France

Christian Boustani est artiste et professeur de l’art numérique en France depuis une vingtaine d’années. Il a fondé en 1982 un centre de création et de production numérique - GRAND CANAL - à Paris qui a contribué de manière exceptionnelle à promouvoir la création vidéo en France en produisant des œuvres d’une très grande qualité artistique.

CITÉ ANTÉRIEURES est une œuvre forte et ondoyante ou architecture et peinture se fondent dans le sens le plus pur de la poétique des cités anciennes. Par l’alchimie et la peinture, un peintre cherche à percer le mystère de la ville médiévale de Bruges en Belgique. Ce voyage enchanteur à travers le temps suit les activités quotidiennes des habitants de la ville pendant qu’ils déambulent à travers des paysages oniriques et poétiques.

Contact: http://www.grandcanal-video.net

 

5.
Bull & Miletic
Whir
00 :12 :00
2002
USA


Synne Bull is a graduate in Theatre Theory at the Oslo University.
Drajan Miletic is a graduate from the San Francisco Art Institute. Their work has been presented in various cities, notably in: Turin, Hong-Kong, Tijuana, Munich, Belgrade, Hiroshima, Graz, Rotterdam, Liverpool, Dortmund, Saint Petersburg, Baltimore and Kassel.

1. A sound of buzzing or vibration: the whir of turning wheels.
2. Excited, noizy activity; bustle: the whir of busy shoppers.

Contact : mail@bul.miletic.info6

 

6.
Dan Calin
Sample City
2003
11 mins 45
Romania


With an MA in Art History & Theory Dan Calin began his career as art journalist, free lance curator and cultural manager (with the Soros Foundation, Romania). Currently based in Amsterdam, Calin holds various teaching positions (notably the Art University Bucuresti and the Hoogeschool voor de Kunsten, Utrecht) and acts as Creative Director for rich media platforms, most notably the Lost Boys Interactive in Amsterdam.

“Sample City” video (2003) tries to recount the anthropological dimension of a city situated at the crossroads between European identity and Jewish Diaspora, gypsy folklore and Stalinist aesthetics.

Contact : calin@euronet.nl

 

7.
Graham Clayton Chance
I think i'd like it on the other side
00 :06 :46
1997
England


Based in Manchester, UK Graham is a video, installation and performance artist. For his upcoming release with C0C0S0L1DC1T1 he will be collaborating with UK based sound artist Ian Heywood.

Contact : champ@champ-libre.org

 

8.
Gordon Matta-Clark
City Slivers
1976
00 :15 :00
USA


Born in New York and trained in architecture at Cornell university Gordon Matta-Clark presents a multi-disciplinary perspective on the arts, focuses his work on photography, film, video, performance, drawing, photo collage, and sculpture in the form of large-scale interventions into existing architecture.

City Slivers presents a formal investigation of New York’s urban architecture. The film was planned to be projected on the exterior facade of a building, and was shown for the first time in the open air exhibition ARCADES and later in the Holly Solomon Gallery.

Contact :
Electronic Arts New-York, New York: www.eai.org

 

9.
Adam cohen
Blind Grace
1993
00 :21 :00
USA


Adam Cohen is a New York City born Film/Video maker, working in a territory somewhere between film, photography, painting and video. He takes the city as a place to explore themes of memory and forgetting, time and ephemerality. He has exhibited at numerous festivals and museums around the world.

Blind Grace, shot between 1989 and 1993, presents a personal street document; New York City caught on the verge of disappearance, wherein presence becomes absence and poetry was the only thing left.

Distributeur : Vidéographe : www.videographe.qc.ca

 

10.
François Girard
Le jardin des ombres
1993
00:35:00
Québec


Quebec-native François Girard has achieved world-wide fame in the film-industry with such fims as Thirty two short film about Glen Gould, which won four Genies including best director and best picture, and The Red Violin (1998) which won eight Genies and an Oscar for best original soundtrack. He has also explored more experimental sides of video and film and new media’s relation with architecture.

JARDIN DES OMBRES is a sensitive and poetic work about the Quebecois architect ERNEST CORMIER.

Contact : champ@champ-libre.org

 

11.
Nelson Henricks
Fenêtre
1997
00:03:00
Québec


Nelson Henricks was born in Bow Island, Alberta . He moved to Montréal in 1991 and received a BFA from Concordia University, where he now teaches. Henricks has also taught at the Université de Québec à Montréal and McGill University. A musician, writer, curator and artist, Henricks is best known for his videotapes, which have been recently presented at the Museum of Modern Art in New York.Over the course of one year, the author shot footage from the front window of his third floor apartment.

WINDOW explores notions of repetition and variation in the process to knowledge. Experience is “the sum of all sight and sound. The sum of all motion.”

Contact :
www.videographe.qc.ca

 

12.
Jowita Kepa
Static Decharge (for Bleeding Eyes)
00 :02 :00
2001
Canada


Jowita Kepa is a video artist based in Toronto. Her work has screened in Paris, Berlin, Hamburg, Zurich, Novi Sad, Chicago, Vancouver, Quebec City, Montreal, Ottawa and Toronto.

Static Discharge is a composition of video noise that creates a pulsating tension, as
electricity grinds with flesh, revealing the harsh beauty inherent in the mechanical medium.

Contact: jowitakepa@hotmail.com

 

13.
Thomas Köner
Banlieue du Vide
2003
00:05:00
Germany


Thomas Köner, a native of Germany, trained in film and sound engineering has a special interest in exploring the combination and interaction of visual and auditory experiences. His work "Banlieue du Vide" was given the NORMAN prize 2004 ("Best Film") at the Filmwinter Stutgart and nominated for the "MuVi award 2004" (best german music video) at the International Short Film Festival Oberhausen.

Thomas Köner's installation Banlieue du Vide refers to an existential quality of everything that is in the process of disappearing. Waiting and absence define our existence: what we are looking at is always fading away from us. Using webcam pictures of winter landscapes and a soundtrack consisting of grey noise and traffic sounds created from memory Koner produces an ephermeral portrait of time passage and a moment’s decay.

Contact :
http://www.koener.de/bdv.html
thomas@koener.de

 

14.
Paul Landon
Zoo
2004
00:02:00
Québec


This video showcases Berlin`s Zoologischer Garten train station. The movement of a train arriving in the station renders our perception fuzzy and dazing. Zoo speaks about the effect of destabilization one feels upon arrival in a large city. The soundtrack is created from the noises made at the beginning of a vinyl disk, noises which announce the arrival of music.

Contact : landon.paul@uqam.ca

 

15.
Francis Leclerc
Tokyo Maigo
1997
Length
Québec


Francis Leclerc was born in Quebec City in 1971. While studying communications, he began to develop an interest in film, and subsequently directed more than 20 short- and medium-length works during the 1990s. He has been working in Montréal since 1995 shooting music videos for a variety of well-known Quebecois artists.

Tokyo Maigo presents Francis Leclerc’s impressionist pictures of the Japanese metropolis with dominating night vision. By means of a game views and to panoramic jerky plans, Tokyo is transformed into a futuristic city. A voice out of the field anchors the furtive and fleeting pictures into a narrative which poetically underlines the city itself.

Contact : zaclerc@sympatico.ca

 

16.
Chloé Leriche
Comme une ombre allongée sur l’asphalte
2001
00 :03 :00
Québec


Chloé Leriche is a Montreal videographer and a member of the Kino collective. She creates ironic experimental narratives of urban life.

Images of old matresses and leftover voice messsages as much
of layed down shadows on asphalt.

Contact :
chloeleriche@hotmail.com

 

17.
Franck Magnant
Édifice
1994
9 mins
France


Franck Magnant est un artiste vidéo d’origine française. Il a produit une série de vidéos en collaboration avec le Studio Grand Canal à Paris incluant « le nu » 1989, « Qui n’a jamais rêvé avoir été » 1990, « Épilogue » 1990 et « Alchémie pour une image » 1991 pour lequel il s’est mérité le 1er prix Hérouville St-Clair en 1992. Synopsis

La bibliothèque, lieu empli de confusion, au croisement des peuples et des langues, se déploie dans son infinie complexité. Dans le chuchotement de ses salles, au hasard de ses allées, se fige dans le silence le regard de lecteurs d’un autre temps. Les écrits, les projections de la pensée qui se forment dans ce lieu cimentent cet impossible édifice.

Contact : http://www.grandcanal-video.net

 

18.
Francis Montillaud
Décharge Maximale
00 :11 :00
2003
Québec


A native to Quebec, Montillaud is inspired from his experiences with the outside world, whether it be that of mass culture or the life of a mere individual. Working often with digital technologies Montillaud turns the camera on everyday life.

I am interested in the different strata of society, from those who control, those who execute and those who hang on to those that drop out. Digital technologies have been very useful to express this representation of the world. I work a lot with photographs taken during my travels or everyday life. These are fragments of reality which surprise me and which I afterwards rework into my videos.

Contact : hellatruckers@yahoo.com

 

19.
Guylaine Seguin
“Lieux-Objets”
2mins 30
Québec

Guylaine Séguin détient un baccalauréat en arts visuels de l'UQAM. Elle a
participé à plusieurs expositions collectives et a deux expositions
personnelles à son actif. Son travail d'installation vidéo et de
photographie s'articule autour des notions d'objectivité et de subjectivité
dans la perception de l'espace.

Collection d'objets vidéographiques statiques, à l'intérieur desquels se
déploient des lieux visités par une caméra subjective. Les images vidéos
sont "pliées" afin de reconstruire la géométrie de lieux et d'objets
imaginaires. Montage effectué à partir d'extraits vidéo provenant
d'installations de l'artiste.

 

20.
Julio Soto
Invisible Cité
2002
00:06:13
USA


Born in Spain, Julio Soto has graduated in Fine Arts from the Pratt Institut, NY. He lives and works in Brooklyn.

Imagine a ubiquitous camera evolving through landscapes of surreal imagery in a post-apocalyptic generic urban center and the nature taking over every space around. Best Experimental Film at the 5th Brooklyn International Film Festival.

Contact :
www.lunapictures.com
jsotogur@yahoo.com

 

21.
Suzan Vachon
Les Heures d’argent (des illuminations)
2002
21 mins
Québec

Née en 1953 Suzan Vachon vit et travaille à Montréal. Elle est chargée de cours à l’Université du Québec à Montréal et à l’Université de Montréal. Artiste interdisciplinaire elle conçoit sa pratique comme espace polyphonique de recherche.

Pour Les Heures d’argent (des illuminations), j’ai cherché à installer les conditions d’apparition d’images subites, à interroger certains phénomènes oscillatoires tels la présence, la disparition, la réapparition et à représenter ces phénomènes de façon lumineuse.

 

22.
Chris Wainwright & David Bickerstaff
Channel 14
2004
00:07:30
England


David Bickerstaff: Working with new technologies and lens-based media, David works and lives in London and has exhibited in the UK and internationally. He is the founder of atomictv.com and creative director of newangle.co.uk.

Chris Wainwright: Chris Wainwright is an artist, curator and Dean of the School of Art at Central Saint Martins College of Art and Design, at the London Institute, and vice-president of ELIA (the European League of Institutes of Art).

Running through London's centre is the once majestic river Thames. It is no longer a vital trade route as its wharfs, warehouses and factories are now making way for exclusive leisure and residential conversions. The river's calm is however misleading as this is a landmark in decline where adjoining space is either contingent or exclusive and human presence is speculative.

Contact :
chris@mvrocktheboat.co.uk, david@atomictv.com



CHAMP LIBRE TEAM

Cécile Martin - General Director
François Cormier - Artistic Director
Marie-Anne Moreau - Production Director
Jean-François Goyette - Event Coordinator
Yves Deschênes - Technical Director
Julien Berthier - Graphic Designer / Webmaster
Sylvie Deslauriers - Press Agent

  PARTNERS    
 
 
 
 
 
 
 
 
 
 
 
 
     
 
Champ Libre thanks for City of Invisible :
 
     



Brûlerie St-Denis
1587 rue Saint-Denis, Montréal


Folies en vrac
1254 rue Sainte-Catherine Est, Montréal
 

La maison du rôti
969, 1975, Mont-Royal Est, Montréal